Last night the Californian surf rock trio Best Coast transported us to the land of sunny shores and lazy days. Everyone was grooving to the high-energy tunes and having a grand old time.
The band played a solid fifty-minute set, comprised of lots of short-lived tunes and an encore. Each song seemed like a total tease - maybe they wanted to give us a sampler of what they had to offer or maybe... they're just not Phish. I guess jam bands have spoiled me.
Each song ended somewhat abruptly, sort on on an upbeat that you didn't expect. It was kind of awkward, but kind of cool. After a while the songs blended together for me into one big fast-paced, guitar-laden mess. A hot mess, I might add.
Here's a taste of their sound:
There was more of a sweetheart feel to Bethany's voice than I had expected - after listening to lots of their studio-recorded stuff, I remembered how crazy it is to expect the same onstage. But what we got was better: I loved her rounded tones and sixties mod vibe.
(And I loved her pants!)
Her lyrics are heartfelt and occasionally touching, with lots of oohs over her gritty guitar interspersed. There may not be too much substance to the stuff, but it's definitely catchy.
Pay no attention to the man behind the curtain!
Elizabeth
The other day I picked up a ticket to see Best Coast, an indie group who specializes in gritty psuedo-surfer tunes. They're stopping by my school on November 19th, so I figured why not?
At first I wasn't grabbed by their music, but I find that it grew on me with surprising speed. Check it out for yourself:
This Saturday I trucked on up to Norfolk, CT to celebrate Halloween with The McLovins. They played a solid yet interesting show, always making sure to highlight their individual and group talents.
A percussion group called The Groove Smugglers did a brief set to open the night and stayed onstage to join The McLovins for their opener, 3:47. I have always thought it's a really cool song, mostly because of its length (roughly two minutes), but also because it's pretty different than anything else they do. This tune stays focused on one musical thought the whole time, rather than using a more complicated song structure.
To keep the night fun and festive, the band did a ton of covers, including "Wouldn't Wanna Be Like You," "YEM," "Tweezer Reprise," "Werewolves of London," and (my personal favorite of the night) "Tik Tok." Yes, Ke$ha. And it was glorious.
A new song of their own was introduced that night as well, called Tetop. The verses start out slow and pick up with each repetition of the chorus, complete with a big, loud (and sorta psychedelic) guitar solo. Although it wasn't jammed or anything, I can tell it's got the potential. It's gonna be a good one.
The most notable cover of the night goes to Ghost, one of my family's favorite Phish tunes. Their rendition definitely echoed the original song but had a more of a funky vibe. I always like to hear a different take on a classic! The end of the tune brought a short but very sweet jam. Man, those guys know how to be succinct.
Speaking of ghosts, I could definitely hear a little bit of Jerry's in the fat, heavy tones of Jeff's guitar.
Deep Monster Trance was where things got hot - the energy in the room was practically tangible. I can't get over how everything flows so well in this song, especially Jeff's guitar. It's like listening to liquid HOT LAVA ...but in a good way. If you listen to anything from the show, make it this track.
The audience was brought back to the good old days with Purple Trees>Rapper's Delight and then into... Tweezer Reprise, bringing back precious memories of June 18th, the night Phish ended with a double Reprise.
And then there was the drag show:
You Enjoy Myself, popularly known as YEM, was pretty damn incredible that night too. All I have to say is: I want the vocal jam!
Check out "Werewolves of London"
And then the best thing happened: I so totally called the encore. It was a joke (or so I thought); when they came out and started the opening section Freebird, people practically thought I was magic.
Relive the night with a great (free!) recording on archive.org here.
Now that it's November, I'm officially breaking out the holiday tunes. Watch out, world.